Latest News
Thanks to everyone who came to Euroart's Open Studios event, always a pleasure.
Crow will be showing more new work in Confluence - a pop-up show at Safehouse 1, London, 27-29 September
and with tenthirtyart at Camden Image Gallery 13-17 May 2020
Please check Instagram for regular updates: https://www.instagram.com/crowdillonparkin/
Limited edition #womenartistsarethebestartists enamel pin badges are still available to buy by post.:
https://www.etsy.com.shop/CrowDillonParkin
There is a range of T-shirts and vests here https://womenartistsarethebestartists.teemill.com/
And matching mugs here https://www.redbubble.com/people/WAATBA
Thanks to everyone who came to Euroart's Open Studios event, always a pleasure.
Crow will be showing more new work in Confluence - a pop-up show at Safehouse 1, London, 27-29 September
and with tenthirtyart at Camden Image Gallery 13-17 May 2020
Please check Instagram for regular updates: https://www.instagram.com/crowdillonparkin/
Limited edition #womenartistsarethebestartists enamel pin badges are still available to buy by post.:
https://www.etsy.com.shop/CrowDillonParkin
There is a range of T-shirts and vests here https://womenartistsarethebestartists.teemill.com/
And matching mugs here https://www.redbubble.com/people/WAATBA
Crow is currently working on 'Seven Sisters', a series of installations about body image, motherhood, health and disability, which build on the legacy of seven other women artists.
How does the body remember its own history, and how does it write its own future narrative?
Crow’s work combines elements of embodiment and performativity, and the articulation of lived experience from a feminist perspective. As an artist and ex-athlete, the body is central to everything she does. Gathering and visualising data about physical experience and its effects on the body, she attempts to reintegrate the physical body with the whole self.
Recent work explores the impact of neocolonialism and neoliberalism on the bodies of women, as both producers and consumers in the global post-capitalist economy.
How does the body remember its own history, and how does it write its own future narrative?
Crow’s work combines elements of embodiment and performativity, and the articulation of lived experience from a feminist perspective. As an artist and ex-athlete, the body is central to everything she does. Gathering and visualising data about physical experience and its effects on the body, she attempts to reintegrate the physical body with the whole self.
Recent work explores the impact of neocolonialism and neoliberalism on the bodies of women, as both producers and consumers in the global post-capitalist economy.